Bleeding Darkness: Prologue.

The second half of this post is a copy of the short story "Bleeding Darkness" by Shane Ivey from the old Delta Green website.

As he washes his hands, the sound rushes to him unbidden until he screws his eyes shut and places his palms against them. He is a man of four-and-forty years, he has been a catholic priest for twenty-four of them, and even now the business of exorcism frightens him. In the darkness behind his eyelids - in the strange, imaginary dancing dendroids and bismuth crystals, which he knows are only illusions, he is aware of a subtle steady mechanism at work in his mind: his entire life-experience reconfiguring itself to accommodate a new truth, as if his whole life were pictures hung on the wall, and he were forced to take them down and swap their frames, and in doing so he changes the images slightly, discovering a new and disturbing perspective of their content. It was as if maybe the picture-frames hid some detail, a figure in the margins; a vague shape known only by its silhouette, present in every photo. The figure present throughout his whole entire life, always there, a spectator, which he had heard of, but never imagined it being there the whole time. He thinks of the exorcism performed hardly an hour before, alongside his brother in the faith. He thinks of the sounds that little girl made, and the thing that came out of her when they brandished the cross and invoked the name of the Lord.

He had no idea the devil would look like that.

As he thinks those words, a noise, high-pitched and panicked, seizes him, and for a skipped heartbeat he thinks it’s her - or rather, that thing. He bursts from the restroom into the hallway, nuns and a few priests already joining him. He sees the priest he came here with taking two stairs at a time and barrelling down the hallway. He turns the corner and sees the room the girl was in, nuns are already in there, and he can hear others further down the hallway telling children to go back to their rooms. 

One of the sisters sits back against the walls, eyes wide in panic, a tray with a meal meant for the girl scattered across the hardwood floor. He turns his head and expects to see the girl, and that thing coming out from her, but when he turns to her bed, there is no one. She is gone. His eyes play strange tricks on him for a moment, and he smells something in the air like rotten eggs and nutmeg and whiskey, but only for a moment. 

“SHE’S GONE” the nun screams, “SHE WAS RIGHT IN FRONT OF ME I SAW IT. PLEASE, SHE WENT INTO IT. SHE WAS RIGHT THERE”. He hears some nuns helping their sister to her feet and trying to calm her. His fellow exorcist enters the room behind him and scans the room, then they look to each other wordlessly and reach an understanding. “She went into it” she hears the nun insist quietly. When the two priests are alone, they search the room. In the closet, under the bed. He tries the windows and they are locked, the glass unbroken, outside it is late Spring in Brooklyn.

“Father”, he hears his brother say. He turns to see him looking at the bed. 

The pendant, small and metallic and green sits idly in the centre of the sweat-stained bed linens.

 The Morgue was cramped and ill-lit, an archaic and frightful repository of death held over in the modern day only by the vagaries of city funding and dubious tradition. Its halls were narrow, as were its operating rooms and its storage chambers, all of them made narrower by the gurneys which lined every wall, rolling beds carrying the naked dead in every conceivable state of destruction. Some were pierced or torn by violence; some were discolored from bruises and battery; some were pallid and drawn from years of chemical abuse; here and there one was bloated and as green as neon from time spent in the unforgiving rivers. All faced upward, some staring through wide eyes, others seeming quite at peace.

Mariette Monpierre worked nights. The Morgue was quieter at night; attendants went about their errands and there were inevitable deliveries, but most often it was still and calm. She had been a medical examiner for years; even her teenage daughter was accustomed to the smell that infested her work-clothes. Sometimes she would arrange to drive in with a colleague or a friend, but at night Doctor Monpierre drove to work, taking advantage of the easier commute she could enjoy after the business and shopping hours of the normal world, the world of the living. She usually eschewed the protective measures which were required of others; the smell had become normal to her, and she knew how to avoid the stains of inadvertent leakage. Only when conducting an autopsy, with the body splayed out as red and wet as anything in a butcher's shop, would she don a surgeon's gown.

"So," she said curiously, looking at her current project, "let's see what happened to you." She always spoke to the corpses like that, with the friendly, businesslike voice of a family doctor. Sometimes she fancifully thought of them as her patients; it had been years since the bodies or the stench of rot or mutilation had disturbed or frightened her. They were her work, and in ways sometimes unfathomable even to herself they fascinated her.

"Szary, Casimir," read the toe-tag, written in careful letters. Szary was nude atop a wrinkled blue plastic sheet. He was clean-shaven and heavy-set with thick black hair, but his skin already was shrunken against bone and drying muscles; his face and digits were quickly taking the tone of mummification. His skin was pale, but darkly discolored in many places. His face was empty of expression; his eyes had sunk slightly into their sockets and rolled up, their whites showing between open eyelids. But Dr. Monpierre stared only at his chest, where his flesh was ruptured and gaped open wetly, a blackened fist-sized hole glaring where his heart should have been, revealing the muscles and ribs of his back. The focused brilliance of a rolling halogen examination lamp revealed all.

She stared at the body in silence for five long minutes. Once she took a breath as if to speak, but then she remained silent again. A micro cassette recorder stood waiting nearby. Finally she sighed, and unconsciously took a half-step closer to the dead man as she began to speak. But another voice spoke first.

"Hhhhhheeeaaarrrr," said Casimir Szary.

She froze. She looked at once to the dead man's face, saw the withered flesh motionless in death; then she looked back to the doors, already forming angry words for the prankster. But none was there.

"Hear," said the corpse, more distinctly this time. She saw fluids bubble in the cavity of his chest where air meant for the voice box escaped the ruptured and boiled lungs.

She blinked with deliberation. She drew her head back and inhaled, then exhaled quite slowly. She looked down at the body, and she felt sure that it was natural, that a pocket of air trapped within the lungs had finally bubbled forth, giving rise to the chilling illusion of speech. Yet her skin still crawled. She felt slightly defiant as she took a step again toward the body.

Casimir Szary's head turned toward her with a moist grinding of drying muscles. His white eyes stared at her from the drawn and sunken face.

"Hear me," he said, and this time his lips clearly moved.

She winced and felt icy cold, then stepped back. She gasped and nearly slipped when another man's voice spoke behind her.

"Evening, doc. Mind if we have a little talk?"

She spun with wide eyes and mouth to stare at the intruder, a gangly-looking Caucasian man with thick curly brown hair, wearing glasses and a brown suit. Behind him was a dark-complected black man in a gray suit, shorter and stockier, looking about in evident boredom. The first stepped through the doorway and held up a badge-wallet.

"Detective Olaerrva, 38th Precinct," he said matter-of-factly. "You okay?"

She looked incredulously from one to the other, then back at the corpse. It remained silent. She nodded. "Yes," she said. "Yes. What can I do for you, detective?"

"Yeah? Sure, okay. I guess this place even gets to you once in a while." He chuckled. His quiet partner smiled. Dr. Monpierre stared at them both, suddenly somehow sure that their laughter was a lie.

"What can I do for you, detective?"

He indicated the body with a nod. "Well, it's about Father Szary, there. Casimir Szary. We need you to tell us what killed him."

She looked at the body for a moment, bewildered by the fact that she felt only more afraid with these living men in the room. "I... I have not yet conducted my examination," she forced herself to say. "The wound in his torso is the most obvious trauma, but it remains to be determined whether the victim succumbed to other trauma or toxins prior to..."

"No," said Detective Olaerrva. "He died from a fall. Jumped off the church steeple and broke his back on the sidewalk, rupturing his chest in the process. Strange, but that's why they pay for your degree, right?" He looked at her with an artificial smile.

She looked at him in deepening fear. "As I said," she said evenly, "it remains to be seen..."

Olaerrva frowned. "Your daughter runs with a bad crowd, doctor. I've seen gang colors on her last couple of boyfriends. A lot of drugs. A lot of guns. Things could happen, if a parent's not careful."

She stared at him with rising anger. "Don't you threaten me," she breathed. She became silent as the other detective drew a revolver from beneath his coat. He stepped toward her and aimed the pistol at her midsection.

"I can fix her so she never gives you a grandchild, bitch," he said. You know what a street-bought hollow-point can do to a woman's insides, right? Right? Answer me, bitch."

She licked her lips and nodded. She took a step back, then whimpered slightly as she touched Szary's gurney behind her.

"That's right," said the gunman. "Tear her all up. You remember that. What's your report gonna say?"

Her voice shook only slightly. "A fall. He died from a fall. The impact caused a rupture of the ribcage and the--"

"That's good. You do it just like that."

Olaerrva stepped close to her, close enough for her to smell aftershave. He reached down and took her tape recorder. He pressed STOP, disabled the auto-record feature.

"Well," he said. "I guess that answers all our questions. Thanks for your time, Doctor. I look forward to seeing that report so we can wrap up this case. The church is pushing us hard on this one, for some reason." He turned and walked casually to the doors. His partner nodded and followed.

Monpierre stared after them as the doors swung shut behind the detectives. She breathed deeply for a time. She did not look at the corpse, even when she heard the desiccated muscles of its neck click with new movement. A name came to mind, and the face of a young FBI examiner she had met at Quantico not many years before. "Qualls," she muttered to herself. "Jean Qualls. You fuckers think I don't have friends?" She sought out the rage, to lessen the desperate fear which occupied her mind.

The two men walked quickly down the corpse-choked hall, their footsteps sounding moist echoes from the grimy tile walls. Olaerrva rewound the tape and pressed PLAY. He grunted and looked at it curiously, then rewound it again and turned up the volume.

"Hhhhheeeeaar," said a strange whispering voice on the tape.

 Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. The contents of this document are ©FeeFiFoFin, excepting those elements that are components of the Delta Green intellectual property. Banner is by Dennis Detwiller.